Harbourfront’s Breathtaking: Constructed Landscapes exhibition questioned the role of architecture in experiencing the natural world. Lenticular Curtain was our response – a moving and inhabitable architectural construction of a landscape. We wanted to explore a fusion of architecture and landscape that obliterates the threshold between the two, creating an immersive and surprising experience that infuses, inhabits, and amplifies the landscape.
The installation constructs a 10.5' × 10.5' square Parry Sound forest object using four images (one per side) and conceals a surprising ovoid interior space that is an expansive seascape (Peggy’s Cove). The curtain is made of image strips, and each image is repeated on multiple layers precisely positioned throughout the depth of each side – looking into the forest on the outside, looking out to the sea on the inside – with alternating images strips missing. The effect of this is that standing outside and looking dead on, the entire image coalesces into one, but as you move from side to side, the image has depth and is lenticular (the same principle as those old fashioned plastic postcards that appear to show movement when you move your head).
The forest feels like a solid object, but then moves gently as visitors walk around it, casting multiple shadows on the floor. To enter it, you walk into the forest from anywhere on the outside, parting the trees like a bead curtain. The strips easily move aside, but with their weighted bottoms, they quickly return to position to maintain the integrity and surprise of the interior experience. Inside, a fabric wrapped log bench invites visitors to sit, positioning them accurately to the horizon that seems to stretch to infinity. The lenticular effect here is especially pronounced – so immersive that some people almost felt vertigo from the visual sense of depth. From the outside you could hear exclamations of surprise, drawing others in for the experience. The installation was not simply a constructed landscape object – it was a pair of spaces, demanding exploration by the viewer.
View upon entering the Gallery
Looking back at the entry
The rear view
View from the East
From the Southeast
Detail of the outside face
The interior view
The interior – turned around
View of the interior bench
Detail view of the interior